Start a project
WorkBlogResourcesAboutContact

Blog/Against the grain

My Highest-Engagement Film Post Wasn't a Video

My Instagram data showed carousels earning stronger engagement while reels reached farther, changing how I choose a format.

By Jeff Zambrano··5 min read

My Highest-Engagement Film Post Wasn't a Video

A carousel hit 20.0 percent engagement, the highest figure on my entire account.

It was not a reel. It was not the format a filmmaker might choose by reflex. It was a feed post.

The obvious belief is that filmmakers should promote films with video. The work moves, so the promotion should move. Reels also give you more chances to show the actual images, cuts, and moments from the film.

That belief is reasonable. My own numbers still broke it in half.

Video reached farther. Carousels and images got the stronger response. Those are different outcomes, and treating them as one outcome makes the format decision much less useful.

What the formats actually did

I compared 12 Instagram carousels and images with 15 Instagram reels.

Format Pieces Views Engagement
Instagram carousels and images 12 59 to 163 6.9% to 20.0%
Instagram reels 15 29 to 292 0.0% to 17.2%

The reels reached more people. The strongest reel reached 292 views, while the carousel and image range stopped at 163.

But the feed posts produced the better engagement range. They ran from 6.9 percent to 20.0 percent. Reels ran from 0.0 percent to 17.2 percent.

That 20.0 percent carousel was not merely the best feed result. It was the highest engagement figure anywhere on the account.

There was another result I could not dismiss. The only feed post that anyone shared was a carousel.

If I looked only at views, I would have called video the winner. If I looked only at engagement, I would have called the carousel the winner. Both readings would have hidden part of what happened.

The useful answer is more specific: reels reached farther, while carousels earned more participation.

The format was doing a job

A film post does not have one universal definition of success.

Sometimes I need reach. I want the piece to travel beyond the people already responding. In my results, reels did that job better.

Sometimes I need a response. I want people to engage with the post instead of only letting it pass through their feed. In my results, carousels and images did that job better.

That distinction matters because a lower view count can look like failure when the post is actually producing a stronger rate of participation. It also works the other way. A reel can travel farther without earning the strongest response.

The mistake is not choosing video. The mistake is choosing video because I am a filmmaker, then judging every format by the same number.

My account gave me two winners, depending on the question I asked.

It would be easy to describe the carousel as the smaller format because its views topped out at 163. That misses the 20.0 percent engagement result.

It would also miss the share.

A share is a different response from a view. The only feed post that earned one was a carousel. I cannot turn that single result into a general rule for every account, but I also cannot treat the format as a secondary container for stills.

On this account, it produced the strongest engagement figure.

That means the film did not always need to be presented as moving footage to get a response. The format that carried less motion could still carry more participation.

TikTok did not give me a usable answer

I also had 27 pieces on TikTok.

Almost all of them landed between 242 and 278 views. There were two exceptions, at 645 and 658.

That distribution was almost flat. It looked like the platform was giving the account a minimum level of exposure and little else.

There was no clear signal to read yet.

The two higher results were exceptions, not enough to turn the full set into a dependable pattern. Calling a format winner from that spread would have added certainty the numbers did not contain.

So I separated the useful Instagram signal from the inconclusive TikTok result. On Instagram, the response differed by format. On TikTok, the 27 pieces had not produced a pattern I could use.

Choose the response before the format

The lesson is not that carousels beat reels.

That would be as crude as saying filmmakers should always post video.

The lesson is that format should follow the response I want. If I need reach, my reels have the stronger record. If I need engagement, my carousels and images have the stronger record. If the platform gives me an almost flat distribution, I do not pretend that noise is a strategy.

Today, take your own posts and separate reach from engagement by format. Pick the response you want first. Then choose the format that has actually earned it.


The easy post agrees with everybody. This one didn't, and some days the thing I argue against is my own work.

ShareXLinkedInWhatsApp
Jeff Zambrano

Jeff Zambrano is a Madrid-based AI film director. His debut, Borrowed Wounds, reached the Top 50 of the Higgsfield Global Film Festival out of 6,700 films. He writes these notes from his own productions.

WhatsApp